Posts Tagged ‘star trek’

Whilst coming to the end of writing my first extensive look at why a certain “horror” franchise failed to produce quality films, I was made aware of a mini-craze amongst film reviewers on social media in which they reveal their favourite film from each year that they’ve been alive.

At first I had no interest in taking part, but then I thought that it might be fun to see what came out each year I was alive. One thing that I quickly realised that there are some years in which there were few standout films for me, 1990 and 2005 being particularly sparse, whereas I really struggled just to pick one from 1994 as as well as what I chose, there were so many entries that were not only great, but would top many top tens around the world.

So I was born in 1984 and will therefore start there. In the interest of fairness I am only going to consider films that were released at the cinema.

1984 – Ghostbusters
1985 – The Goonies
1986 – The Fly
1987 – Spaceballs
1988 – Willow
1989 – Bill and Ted’s Excellent Adventure
1990 – Night of the Living Dead
1991 – Terminator 2 : Judgement Day
1992 – A League of Their Own

1993 – Jurassic Park
1994 – The Shawshank Redemption
1995 – Mortal Kombat
1996 – Star Trek : First Contact
1997 – The Fifth Element
1998 – The Truman Show
1999 – Fight Club

2000 – American Psycho
2001 – The Lord of the Rings : The Fellowship of the Ring
2002 – 28 Days Later
2003 – Pirates of the Caribbean : The Curse of the Black Pearl
2004 – Troy
2005 – Land of the Dead
2006 – Lucky Number Slevin

2007 – No Country for Old Men
2008 – The Dark Knight
2009 – Star Trek
2010 – Scott Pilgrim vs the World
2011 – Moneyball
2012 – Avengers : Assemble
2013 – Rush

Then we come onto those that I’ve seen since I started reviewing films for this site. Click on the below links for the full run downs of the top tens from these years.
2014 – Nightcrawler
2015 – No Escape
2016 – Captain Fantastic
2017 – TBD

The fugitive returns with me or dies on your ship. I don’t really care which!

Year Released : 2016Untitled2
Director: Tommy Kraft
Cast : Paul Lang, Marc Bowers, Ryan Webber, Callie Bussell, Jeannine Thompson, Ashley Croft, Tom McClure, Tom Kaiser and Ryan Husk

There are few better moments as a film fan than when a film that you’ve been looking forward to for a long time gets released. To sum up how long it is since I saw the trailer for “Star Trek : Horizon”, if you had gone to the Youtube playlist that I created of the films I wanted to see (it be be gone by the time you read this), you would see this as the second entry on the list. Given how much I chop and change the list (I’ve had about 70 movies on there over the last year or so) on a regular basis, it says it all that this was number two (please note that it is based on when I added the video to the list, not the films actually in order of when I’d like to see them).






Now there’s one thing that you may have learnt about me from my “Star Trek : Renegade” (which isn’t linked to this film) review, I grew up as a Star Trek fan. It was one of the few things me and my dad actually did together when growing up, it was our thing (by the way, before anyone thinks it, he was, and still is married to my mother, we just didn’t do a lot together), and I grew to love the franchise. In recent days I have also been watching the two JJ Abrams reboot films again, as well as the trailer for “Star Trek : Beyond”, and it has gotten me excited to see this, even though I didn’t even know it was out at the time.

The reason I mention this is that because I am a fan of the franchise, I will be a lot harsher on this film than normal. I go into most films open minded, however, much like comic books films and their fans, there is a certain standard to be met. Now don’t get me wrong, I appreciate that this is a low budget film and required crowd funding to get going, but that counts for nothing in this review.


Set early on in Earth’s early adventures into space, long before the days of Captain Kirk and the Enterprise, Captain Hawke (Lang) and his crew barely survive an attack by three Romulan warbirds, all lead by Admiral Verak (Husk). They are saved at the last minute by another Federation ship. The crew spend several days mourning their dead, but they are quickly sent back out to investigate a weapon that the Romulans are alledgely building two light years from Earth.

They are also assigned a new crew member, T’mar (Bussell), a woman who has spent the last 17 years helping the Romulan Empire before betraying them. Tensions are high as many of the crew blame T’mar for the death of their friends, but they begrudgingly admit that they need her knowledge of the empire. When they arrive at the station, they use new torpedoes to destroy it, but in doing so they disrupt a temporal rift and they are flung to a galaxy several million light years from Earth.

Stopping near a planet, the crew decide to investigate it as there is a huge power source emanating from the planet, however, it turns out that it is an ancient weapon that can be used to destroy anything and anyone, and at the controls is a 28th century Romulan with a grudge against Earth.


So, did it make me into an angry Trekkie?

No, not particularly, whilst I wasn’t massively impressed by “Horizon” (I’m simply going to call it that), it’s certainly not a bad effort by everyone involved.

I’m going to start with the negatives and my main gripe with “Horizon” is that it feels lazy in places and recycles plot points from the previous movies and the TV shows. For example, being flung to a far away place in the universe is a key plot point in the “Next Generation” episodes “Where No One Has Gone Before” and the excellent “Q Who” (most notable because is was the first appearance of the primary antagonists of the Star Trek franchise, the Borg), and it was also the main plot point of the whole run of the “Voyager” series. Many aspects of the film feel recycled, right down to the part of the film which lens flares are also heavily feature.

You’ve also got a Romulan from the future determined to destroy Earth because he feels that the Federation did nothing to protect Romulus (the Romulan home world for you non-Trekkies) after the local star went supernova (what could they do), and the captain must do what he can to protect Earth, which is near enough the EXACT plot of the JJ Abrams reboot in 2009.

I’ve always personally felt that the Romulans were always generally poor antagonists. They’ve never felt like a genuine threat in any element of any part of Star Trek, with the exception of the JJ Abram’s 2009 reboot film. The main antagonist (arguably) is Admiral Verak and he never feels like a genuine threat. Even when delivering the line at of dialogue that I have posted at the top of this post, I still never got the feeling that he was a genuine threat. I know that given the time setting, the list of potential enemies would be limited, but surely it would have been more interesting to come up with a brand new species to serve as the main antagonists.


In more ways that one, this feels like nothing more than a tribute to the other aspects of the franchise, although to be fair that’s not necessarily a bad thing, it’d just be nice if there were more original ideas.

The performance by Callie Bussell is also questionable as she often delivers her lines with what could best be described as the manner of a disinterested bystander. She just doesn’t look invested in her character or the story at any point. There is a scene at the 1:07:45 (I’m re-watching the Youtube video of the film as I type this) in which she is asked if she can do something to help the trapped crew on the planet, and her response is “I can try,” and it’s delivered in such an unenthusiastic/couldn’t care less manner that you wonder how bad the actresses that didn’t get the role must have been.

Her’s is by far the least convincing performance in the film, which is a shame as to be fair to the rest of the cast, they do a reasonable job considering the obvious low budget. Don’t get me wrong, they certainly aren’t a mainstream quality in terms of performance, but other than Bussell I can’t overly criticise any of them. Whether any of them will ever progress into mainstream films is exceptionally unlikely, although Marc Bowers certainly had a likable quality to him.


In all fairness to the filmmakers though, this is a commendable effort and one of the most convincing (visually) low budget films that I’ve ever seen. The look feels very genuine to the nature of Star Trek and the production values used throughout are surprisingly high. Granted, it does feel more like it should be a pilot for a new TV show rather than a feature-film. The shots in space are exceptional and beautiful, and to be fair they wouldn’t look out of place in one of the main franchise films.


It’s hard to really summarise why it’s not that bad when I have written more about the negatives as opposed to the positives, but this film is certainly not a bad movie. It isn’t great by any shout, but it’s certainly not as bad as you would expect from a low budget science film.

Considering how little they had to work with, you have to commend them on the job that they have done and whilst I don’t give it the approved stamp, I would actually recommend watching it, which might sound a bit strange. I think this is mainly because the truly successful sci-fi films transcend genre and have a universal appeal, for example, the mainstream Star Trek films, Star Wars, Marvel films, etc, but “Horizon” doesn’t. It is definitely a fan-made film for fans, I don’t think those who aren’t fans of the Star Trek franchise would enjoy this.




It’s certainly a bit better than “Renegades” and isn’t bad at all for a low budget science film. It feels like it is missing something that takes it above the slightly-above-average mark, which is why I haven’t given it the approval stamp.

There are more positives than negatives, which is something that I don’t often say on this site, but

I would definitely recommend watching it if you’re a Star Trek fan, however, if you’re not I don’t think this has the universal appeal that non-Trekkies look for.

February 2nd 2015 – Pointless sequels and needless remakes – Remakes and sequels are now a common sight at a cinema, but that is not a good thing.

February 14th 2015 – Can Star Wars regain it’s force in Episode 7? – With Star Wars due to be released at the end of the year, can it regain what made the original trilogy so popular. Please note before reading this that I am not a fan of Star Wars.

March 5th 2015 – A genre that could learn from another – A look into how films based on computer games could improve by following the example of comic book based films.

April 5th 2015 –  Top Twenty Films – Part 1 – A look into ten of my twenty favourite mainstream films. This half of the list contains a virus outbreak, a Spartan army, arguably Christian Bale’s greatest performance, a few classics from the 1980s and one film that contains arguably the best twist ever seen in a movie.

April 28th 2015 – My Top Twenty Films – Part 2 – Second half of my top twenty films of all time. This half of the list contains Brad Pitt aging backwards, a man turning into an insect, an entry from arguably the best franchise of more than five films in history, and a fantasy film from Ron Howard and George Lucas.

August 10th 2015 – The films of 2015 that I’m looking forward to

August 29th 2015 – Shawshank Redemption’s Andy is Guilty – A look into the character of Andy in “The Shawshank Redemption” and how everyone’s belief that he is innocent could infact be wrong.

September 6th 2015 – Why I won’t apologise for not liking your friend’s movie – I had negatively reviewed a film called “Teacher of the Year” before stepping away from my laptop for a few days. When I returned I had some very immature responses from the director’s friend and he didn’t like that I hadn’t praised the film. This was my response.

September 7th 2015 – Four underrated and underutilised actors – Mainstream movies are filled with actors who consistently put in poor performances, so I decided to take a brief look at four that I feel should be in the mainstream considerably more than that are.

January 19th 2016 – The acting gets nominated – Just before the Academy Awards in 2016, a race-row developed in Hollywood after no-one of a non-white origin was nominated for one of the big four individual awards. This was my take on the situation.

May 18th 2016 – The Bottom 5 so far – In May 2016 I realised that I was close on 200 reviews and articles on the site, so I decided to dedicate that post to listing the five worst films that I’ve reviewed so far.

August 2nd 2016 – Coming soon and looking good – A brief look at films that I am excited by.

September 4th 2016 – The 80s was the greatest decade – I look at why the 1980s is the greatest decade for films.

October 1st 2016 – A preview to the end of 2016 – At the end of each year I rank all of the mainstream films that I saw during the year, this was a preview.

March 17th 2017 – A film for every year – There was a social media thing going on amongst film reviewers in which they named their favourite film from each year that they have been alive. These were my choices.

March 19th 2017 – 85 reasons why the Resident Evil franchise sucked – The Resident Evil film franchise finally ended in 2017 and I took a look at why other than the first one, it was generally a poor franchise.

I am the captain of my fate!

Year Released : 2015Icarus_Attacked_Poster_Logo_350w
Director : Tim Russ
Cast : Adrienne Wilkinson, Bruce Young, Walter Koenig, Manu Intiraymi, Edward Furlong, Sean Young, Robert Picardo, Tim Russ and Corin Nemec

I was not one of the popular kids in school, I was, and am, a self confessed nerd and am proud of that fact. Being a nerd isn’t necessarily a bad thing because it just means that you’re passionate about a particular subject, or indeed a group of subjects. Being a nerd isn’t a bad thing and I would rather be an unpopular nerd than fit in with the so called popular kids that are sheep and follow everyone else in doing the same tedious activities.

That’s what I told myself when I was 15.

I’m now 30 years old and whilst I still enjoy things that would be defined as nerdy, my tastes have moved on somewhat and I am now of an age where quality means more to me than it did when I was literally half a lifetime ago. Whilst poor quality CGI, scripts and acting were more acceptable to me at that age, my standards have certainly increased since then.

It’s safe to say that I don’t have high hopes for this….


Ten years after the events of “Star Trek : Voyager” Starfleet has noticed that planets have started disappearing, all after the appearance of Syphon, a planet that had seemingly never existed until three years prior. To investigate what is going on, Tuvok (Russ) frees Lexxa (Wilkinson) from prison and encourages her to rejoin her former crew. She reluctantly agrees under the promise of information from Tuvok regarding her previously thought dead mother.

Lexxa catches up to her old crew and they all begin to hunt down the Syphon species, only to be taken hostage when they eventually find them. They are lead by Borrada (Young), a man who is determined to make Starfleet pay for their role in the destruction of his home planet 300 years prior, but it is only when Lexxa kills his son that he decides it’s time to destroy Earth. He initiates his weapon and forms a time-based shield around Earth that prevents any sunlight getting to any part of the planet, giving it just weeks to survive until it falls to the same temperatures of space.

Can the crew successfully stop Borrada and remove the shield around Earth?


Worth the watch?

I’m going to start this by putting it in the simplest form possible, if you are not a Star Trek fan then you have precisely zero chance of liking this because people who are fans of the franchise have described it as awful. That is not a good sign when even the most basic need of a movie based on a TV show is to impress those that are already fans.

It’s difficult to know where to go from there as there are numerous problems with the movie and I suppose I should start with the script and storyline, and to describe both as very shoddy would be an understatement.

The problem with introducing so many new characters to a loved franchise, especially in a made-for-TV movie, is that you have to get the characters and storyline spot on, and this fails. This starts right from the simple premise of the antagonist being pissed off at Starfleet for not preventing their planet from being destroyed, whereas in reality Starfleet couldn’t do anything about it. That is also pretty much the absolute basic plot of the reboot of Star Trek in 2009. The only difference is that in 2009 it was because a sun went supernova, and in this the alien race blames Starfleet for a disaster that happened 300 years ago….even though Starfleet didn’t exist at the time. Obviously that last bit could be thrown away with the space-time theme of the movie, but that’d be extremely lazy writing.

Even the basics, such as the make-up, are completely wrong. The Syphon species have been designed in such a way that the actors struggle to talk due to the lack of movement of the prosthetic jaw that’s been attached to them. The actors are barely understandable because of this and they are unable to convey emotion through their eyes due to the restrictions of what has been applied to their face. It’s like watching someone who has had so much botox in their face that they’re only able to move their tongue.

maxresdefault (1)

This is in no way a criticism of the acting skills of the actors playing the members of the species, but unfortunately they are the only ones who get a reprieve in that sense because the acting from the rest of the cast is laughable, and that’s putting it nicely. Edward Furlong’s performance as Fixer was an example of why his career has seriously floundered since films such as “Terminator 2” and “American History X”, but even then he somehow manages to escape being tagged with the worst performance award.

That goes to Crystal Conway as Chekov’s great-granddaughter. Whilst I am not entirely convinced that her voice hasn’t been dubbed over, her lack of charisma is only overwhelmed by the stench of being someone who wandered onto the set one day and being given a part. She is just a terrible and in a movie full of lackluster and laughably bad performances, she somehow manages to surpass everyone at warp speed and get to the wooden spoon first.

Much like several other films I have reviewed in the past, films that are part of a franchise will automatically be compared to the previous entries in that franchise and when you do this, Renegades fails miserably, but I’d be saying that even if it was a standalone film. There are some films which could be part of franchises and be poor by comparison, but still be classed as a decent film if you look at them as if they were standing alone, that doesn’t apply to Renegades.

Visually the film is ridiculous and there are numerous times where you could tell just how low budget this was. There is a scene right at the start of the film with fire effects that looked like they came straight out of the early 1990s, characters are teleported to locations off screen (you hear the teleportation noise and then see them walking around the corner, saving money on not actually showing it) and many other things that show just how low budget that the film is. Don’t get me wrong, there’s nothing wrong with low budget films in general, hence why I review them, but it has to be made with at least some attempt to look believable.

Renegades feels like a movie made for the SyFy channel rather than a serious addition to the franchise and the inclusion of characters from previous additions to the Star Trek universe doesn’t change that. Characters such as Echeb were barely interesting during the television show, so why would I care about them in a movie? There were initially a lot of the cast from Star Trek Voyager attached at one point, so surely that they only ended up with three (and one of them made the film) should tell it’s own story.

There are a few similar films coming out for the Star Trek universe later on this year that are also fan-funded and I don’t have high hopes for them based on this.



When people who are already fans of the franchise aren’t a fan of this, you’ve got no chance if you’re not a fan. Even as a Star Trek fan, I couldn’t find a single positive after watching the film and that’s never a good thing. I’ve watched plenty of crap when it comes to Star Trek, including some horrendously bad episodes (usually the ones revolving around the characters of Troi in the Next Generation and several characters in Voyager….and the whole of Deep Space Nine), but this is probably the worst of the worst.

The characters aren’t compelling, the acting is laughably bad and there’s not even a decent storyline to make up for all of the inadequacies, and don’t let that it’s funded by fans fool you, this is a bad movie.


It’s not often I get to enjoy prune pastries with someone who orally violated me

Year Released : 2014match
Director : Stephen Belber
Cast : Patrick Stewart, Carla Gugino and Matthew Lillard

It gives me great pleasure to talk about an actor that I never thought I would get to talk about this website. With such an incredible career behind him and near enough universally respected, it’s almost strange that Patrick Stewart’s 2014 drama “Match” slipped under the radar and made a total gross of just over $28,000 in it’s native America,

Along with the likes of Jeff Goldblum, Brad Pitt, Val Kilmer and several others, Patrick Stewart is amongst my favourite actors. Right from when he put me into a state of wonder with his captivating performance as Jean Luc Picard in “Star Trek : The Next Generation”, his mesmerizing portrayal of Charles Xavier in the X-Men franchise and many others, Patrick Stewart has always been an actor that I have truly enjoyed watching.

There is just something about Patrick Stewart that draws you in. He brings his characters to life, even if the material is fairly limited and I love actors like that. He brings passion to every single role and as we approach the 30th anniversary of when he become a household name with the aforementioned role as Jean Luc Picard, I still find him as engrossing as I did when I first saw him roughly 23 years ago.

I write all of this before I even start to watch the film, so for all I know I could be lauding an actor that has starred in an awful film, and to be honest I’m not even entirely sure what the plot is at this point. For all I know he could be diabolically awful and I have just embarrassed myself, but I hope that isn’t the case.

I’m not to going to lie either, when IMDB said that people who liked this tended to like Little Accidents, which I recently reviewed and slated (click here for the review), my heart kind of sank and I lost a lot of hope that I would enjoy this.


Tobias (Stewart) is a world renowned dance choreographer and instructor  currently spending the twilight of his career in New York. He receives a request from Lisa (Gugino) to conduct an interview for her dissertation on dance from the 1960s. Lisa arrives with her husband Mike (Lillard), although he seems considerably less interested in Tobias’ career.

As the interview progresses, Tobias becomes very open about sexual expression during the 1960s and the trio start talking about some of his sexual escapades. When the subject moves onto one woman in particular, Mike suddenly becomes increasingly interested and consistently asks questions that Tobias starts finding uncomfortable.

Soon Tobias uncovers the true motives of the couple travelling from Seattle and that is that they believe he is Mike’s father, not helped by Tobias bragging about his sexual relationship with Mike’s mother in 1967. Tobias denies that he is Mike’s father due to him always using protection, but Mike refuses to accept this and physically forces a DNA swab from Tobias’ cheek, but how will the test turn out and what will everyone’s reaction be?

match-tribeca-patrick-stewart (1)

Disappointing or as good as you’d hope?

I’ll start with the obvious thing that you need in a film and that is an engaging plot that keeps you interested from start to finish, and for the most part Match definitely achieves that. I mentioned in another recent review that I can always tell if I’m liking a film if I’m not clock watching, and that didn’t happen once during the entire film.

The pacing is perfect and nothing feels forced with it. It’s not a rush to get to it’s conclusion, but at the same time it appreciated that if it’s not done at a certain tempo then people will quickly lose interest in it. I’m not going to lie, it does turn a bit dull after Mike has forcibly gained a DNA sample from Tobias, because not a lot really happens for a while, although is does develop the characters quite well and that recovers it for me.

Patrick Stewart is delightful in what is quite possibly the most unique role I have ever seen him in. His performance as Tobias is unlike anything I have ever seen him in before and he portrays a great nervous, yet extroverted dance teacher. I’ve never seen anything like it.

Stewart usually plays quite reserved and level headed characters, such as the aforementioned Picard and Xavier, you know, characters that, if anything, could be described as being dreadfully serious and a bit dry, but his performances as Tobias is anything but. Tobias is a flamboyant, life of the party style character, almost theatrically outgoing. If anything I would class this performance as one where the actor in question goes against everything their stereotypical roles.

To put that in some sort of context I’ll give you another example. Jim Carrey is generally seen as an actor that produces over the top comedic performances, such as Ace Ventura, The Mask, Liar Liar, etc, but for me his two best performances come in serious roles in The Truman Show and Eternal Sunshine of the Spotless Mind. Sometimes actors excel in what could best be described as outside of their comfort zone.


It isn’t just Stewart that does well though as Lillard also caught my attention as a man desperately searching for his father. I’ve never particularly been impressed with Lillard after first seeing him in the mid-90s film “Hackers”, but then again I’ve only ever seen him play stupid, immature characters, so it was a nice change around to see him also put in an out of character performance, however, I feel he was miscast in the role.

The film never reveals what year it is set in, although the setting and technology on show leads me to think it’s modern day. His character is looking for his father after finding out he was conceived in 1967. Now, assuming that the film is set in 2014, when the film was made, the would make the character around the age of 47 and Lillard doesn’t even look close to 47. Lillard still looks like a man in his late 20s or early 30s and growing a moustache doesn’t change that.

Don’t get me wrong, this is nothing against Lillard himself or his portrayal of the character, but I did find it hard to really get truly invested in it due to the mismatch between the character’s age and the visual age. I mean below is a screenshot from the film (one that I had to capture myself as there don’t seem to be any on Google Search other that the one I used at the end of the plot section) and there is not one moment in the film where I believe that the character is actually close on 50 years old.


The setting is almost perfect as unlike a lot of homes in films, this one actually feels like the character actually lives in here. This is done through little touches here and there that film-makers ignore and everything is reflecting of Tobias’ personality. The creaking floorboards, the line shining in and making it a bright, welcoming home, the open-ness of the floor plan and many other factors make it genuinely believable, without actually making it look ridiculous.


A absorbing drama that achieves a lot because of it’s relatively simply plot and small cast.approved

Patrick Stewart and Matthew Lillard are both captivating in their performances and it changed my opinion on the latter’s acting ability. Stewart is very much the star though and he thrives in what is a very unfamiliar type of character.

Match is the sort of film that can feel that you can watch over and over again, and I fully intend to do that again, which is something that I don’t say often on this site.


After finishing part one of my Top 20 films several weeks ago, I finally conclude it with Part 2. Included are some films that probably won’t surprise you as they feature in the top ten list of a lot of people’s favourite films, whereas there are one or two coming that I know you will look at and go “ay?”

By the way, clicking below will take you to our Facebook page. Feel free to like the page and you will get a notification in your newsfeed when a new review or article is published.


Anyway, onto the list.

Star Trek20108900

Director : JJ Abrams

Cast : Chris Pine, Zachary Quinto, Zoe Saldana, Eric Bana, Karl Urban, Bruce Greenwood, Anton Yelchin, John Cho,Simon Pegg and Chris Hemsworth

Star Trek, for me, is the best science fiction franchise set in space (and yes, I include Star Wars in that statement). I know a lot of people who read my site will probably have never watched an episode of any of the various series of Star Trek or the films, so many won’t appreciate why Star Trek is a great franchise. It’s one of the few franchises that covers so many facets of life, it can make you laugh, cry, get excited and on occasions, make you afraid. I say afraid because it makes you realise what might be out there and how easily it could overwhelm us.

Despite what I’ve just written, I had never seen an episode of the original series, only watching Next Generation, Deep Space Nine (which was plain awful) and Voyager, as well as the Next Generation based movies, but strangely I got exceptionally excited when I found out that this film would be coming out and I found myself standing at a cinema in May 2009 at just before midnight waiting to go in. At the time of writing, I have seen thirteen films twice at the cinema, but Star Trek is the ONLY film I have ever seen three times (to be fair I worked at a cinema at the time and got in for free).

In 2233 the USS Kelvin is investigating what appears to be a lightning storm in space. A humongous ship emerges from the storm and its captain, Nero (Bana), demands that the captain of the Kelvin goes over for negotiations. When the captain arrives and Nero realises that he has travelled to the past, he quickly kills the captain and launches an all out assault on the Kelvin. George Kirk (Hemsworth) successfully evacuates the ship as his wife enters labour, but he stays behind as he realises that the escape pods wouldn’t be given a chance unless he continues the fight. With every system except for the engines working, George sets a collision course and learns of his son’s birth just before impact. He and his wife debate the name and agree on James just as the Kelvin explodes on impact with the Narada.

22 years later a now grown up James Kirk (Pine) gets into a bar fight after an unsuccessful attempt to flirt with Uhura (Saldana) and her fellow Starfleet officers defend her. The fight is ended when Captain Pike (Greenwood) interrupts and tries to convince James to join Starfleet, giving his father as the perfect example of what could be achieved. Despite his reservations, James agrees to sign up and quickly becomes friends with Leonard McCoy (Urban). After three years at Starfleet Academy, Kirk is reprimanded when he cheats on a test designed by Commander Spock (Quinto) to test potential future captains.

Before the end of his trial, Starfleet receives a distress call from the Vulcan home world and all academy students are sent with ships to investigate. The Enterprise is slightly late due to Ensign Sulu (Cho) struggling to get the engines working, but when they arrive at Vulcan they are greeted with all of the other ships in the form of floating debris and when it clears, the crew lays eyes on the Narada. Nero orders the ship destroyed but stops when he realises it is the Enterprise. He invites Pike over to the Narada and extracts information about Earth’s defence network whilst he is there.

After unsuccessfully stopping Vulcan being destroyed, Kirk and Spock continue to fight about how the Enterprise should act, but with the Narada on the way to give Earth a similar fate to Vulcan, how much time can they waste?

Star Trek is one of the few films which I can just throw on and enjoy at any time of the year. It’s just fun and even if you’ve never seen the original television series, like myself, it brings you right into the lives of these characters and you can watch them grow, even in just this one movie. As I mentioned earlier, this is the only film I went to the cinema to watch three times and each time I got something new from it and I was never bored.

The cast does a superb job of playing these classic characters and make them their own. Pine brings a certain level of charm to the character of Kirk, Saldana brings her sex appeal to one of the few female characters in the Star Trek universe that wasn’t afraid to use her femininity to her advantage, Urban makes a brilliantly pessimistic Bones and in many ways Quinto manages to surpass his performances as Sylar in “Heroes”.

Whilst the action might be a bit predictable, Star Trek does what the franchise does best and that is making the antagonist more than one dimensional. For example, the aforementioned Star Wars’s main antagonist throughout the franchise is Darth Sidious, but he is exceptionally one dimensional. The main antagonist in Star Trek, Nero, is excellently developed and you feel sympathy for him, understanding why he is hell bent on revenge.

Finally, it gives me great pleasure to share it’s trailer with you. This is the best trailer I have ever seen. I love this trailer and it is definitely helped by the use of the song “Freedom Fights” by “Two Steps From Hell”.


The Curious Case of Benjamin Buttonposter

Director : David Fincher

Cast : Brad Pitt, Cate Blanchett, Taraji P. Henson, Jason Flemyng, Jared Harris and Tilda Swinton

I know that there will be a lot of people out there who will look at this and go “really?” I admit that this isn’t an obvious choice for what is a largely forgettable film, but for me it represents an important message and that is appreciate what you have before it’s too late.

Just after the finish of the first World War, Thomas Button (Flemyng) is excited due to the birth of his first son, but when he sees that the child is deformed he takes it to the nearest old people’s home, run by Queenie (Henson). After examination, the baby appears to have been born as an old man. Queenie and her partner name him Benjamin. Several years later Benjamin (Pitt) appears to be a man at the very end of his life. He is unable to walk and his frail frame means that no-one is expecting him to live long, however, one day a fellow resident notes that Benjamin seems to be getting more hair and taller.

Still in his aged youth, Benjamin meets Daisy (Elle Fanning – child, Blanchett – adult) and the two appear to have a good connection. As time goes on Benjamin continues to seemingly grow younger and when he reaches adulthood (age wise), he decides to go out and earn a living. He does this by signing up to a local fishing boat that is run by Mike (Harris). Harris also notes that Benjamin is getting younger but throws it away as his mind playing tricks on his after years of drinking.

After Mike is killed in a battle with a submarine in World War 2, Benjamin returns home and is re-united with the now adult Daisy. Daisy is attracted to Benjamin but he turns down her advances and she goes off to pursue her dreams of being a professional dancer. Several years later Daisy has an accident that rules her unable to dance, but in a reversal of circumstances, she now rejects Benjamin’s advances. Benjamin, now appearing to be middle-aged, starts dating before Daisy shows up and they finally start their relationship.

Despite everything appearing to be happy between them, Daisy is growing uneasy as her body continues to get older, made even uneasier by Benjamin’s continual age regression. Daisy eventually becomes pregnant, leading Benjamin to question whether he will actually be a good parent due to his continuing age regression. Despite Daisy’s insistence that he will be a great father, Benjamin leaves shortly after the birth and goes to explore the world, but when he returns will either be ready for it?

Some people mark the comparison between this and Forest Gump and wonder what the point of this film is, why we should care about Benjamin, I ask the same question with regards to Gump. Both are a life story about a man that has a varied experience, all intertwined with a relationship with a woman with various issues.

I’m not going to go into Benjamin Button as much as I do the other films that have appeared on this list, but the one thing I will say is that the message I mentioned earlier works so well. It makes you realise that time is fleeting and that you should make the most of friends and family whilst you can. In that sense it is an exceptionally sad film and you are with Benjamin throughout his entire life , you see those long term relationships develop, only for the characters then to die.

I also loved the realisation of the character when he is the physical age of late 30s/early 40s and Daisy’s pregnancy. Benjamin thinks he can’t be a proper father to the child because of his issue with aging and he leaves. He’s already in a stressful situation and doesn’t know if he will reach a certain physical age and his reverse aging would stop, or whether it will keep going, and the fear involved in that situation is well played out.


The Dark Knighthr_Posters_1

Director : Christopher Nolan

Cast : Christian Bale, Heath Ledger, Aaron Eckhart, Gary Oldman, Michael Caine, Morgan Freeman, Maggie Gyllenhaal and Eric Roberts

Currently ranked Number 4 in the IMDB Top 250, this is a film that needs little introduction, but I’ll give it one anyway. Despite my love for films, there was a time when I only went to the cinema once in an eleven month spell (at the time of writing I am currently on three months since I last went) and when I mentioned this during my interview at the cinema I used to work at, they guessed straight away that it was The Dark Knight.

The Dark Knight is the second installment in Christopher Nolan’s brilliant Batman trilogy and it turned a franchise that was dying into a film that everyone wanted to watch, even those that previously had no interest in any of the characters. Batman Begins did a great job but is nothing compared to it’s sequel, making it one of the few sequels that is actually better than the first film.

Shortly after stopping Dr Crane (Cillian Murphy) distributing his toxin from the first film, Bruce Wayne (Bale) needs to improve his methods and armour to continue fighting the mob. Despite his success, Batman is vilified by the authorities and described as a vigilante. Wayne knows however that he won’t be able to keep this fight up forever and still pictures a life after the city of Gotham no longer needs Batman.

His main hope falls with new district attorney, Harvey Dent (Eckhart). Dent is seen as a saving grace in the city and is loved by everyone who is law abiding, and to make things more interesting, he is dating Rachel (Gyllenhaal, who replaces Katie Holmes), Bruce’s love interest. Harvey manages to get virtually all of the mob sent to prison and Bruce sees him as his eventual replacement as the protector of the city.

Meanwhile, the mob don’t know how to proceed and enlist the help of a man simply called “The Joker” (Ledger). The Joker proves to be more than anyone can handle though due to his unpredictable and chaotic nature. This results in the deaths of many figures in both the mob world and the authorities, including the police commissioner and the judge that sent all of the mobsters down. Harvey Dent narrowly escapes an assassination attempt himself, but it isn’t long before “The Joker” does get his hands on Dent and that will have ramifications for everyone.

The Dark Knight is one of the cleverest films that I’ve seen in a long time due to it’s numerous unique ideas and presentation style. The Batman franchise was dead and buried before the introduction of the more gritty and more realistic style. In the real world it isn’t the case where the “good” guy wins all of the time and the character of the Joker is the perfect example of this.

The Joker is the first antagonist that I have seen for a long time where you genuinely believe that he might win and <SPOILER ALERT FOR THE NEXT FEW LINES> he kind of does. Despite being caught, the Joker succeeds in achieving his goals of proving that anyone is corruptible, even someone who was as seemingly untouchable as Harvey Dent. The Joker is an excellent character because he is pure chaos theory, how can you possibly predict someone that claims not to have a plan?

His character works as a perfect antithesis to Dent’s seemingly incorruptible nature and even when <SPOILER> Batman does eventually capture the Joker, it doesn’t feel like he’s won because of how easily he proved his point and effectively taken everything from Bruce.

With a strong supporting cast and secondary characters that actually contribute to the storyline, this is one of the most well constructed comic book films of all time.


The Fifth Element60_26_1330910645_2_the-fifth-element-original

Director : Luc Beeson

Cast : Bruce Willis, Milla Jovovich, Gary Oldman and Ian Holm

I remember first seeing the trailer for The Fifth Element back in the mid-late 90s and it was a trailer with no words in it. It didn’t tell you anything at all about the film and I remember absolutely hating the trailer. I had precisely no interest in watching it and if I’m honest, I can’t recall why I gave it a chance, but I am definitely glad I did.

Sci-fi is already a crowded genre anyway, even in mainstream cinema, but this has always stood out to be as one of the most enjoyable stand-alone films in the genre. It has near enough everything that you could want.

In 1914, a group of aliens arrive at an Egyptian temple to retrieve a weapon contained within a case. They promise to return it when the time is right so that the universe can fight off a great evil. Skip forward to 2263 and the aliens are returning to Earth, but they are intecepted and killed by a group of aliens known as the Mangalores, hired by Zorg (Oldman). The only thing that survives is a hand.

A group of scientists come into possession of the hand and recreate who it belonged to using rebuilding technology. After a lengthy process, the smoke clears to reveal a naked woman named Leeloo (Jovovich). Not speaking English, Leeloo panics and bursts through the wall and falls several thousand feet before crashing into the cab of Korban Dallas (Willis). After initially refusing, Korban decides to hide Leeloo.

Korban takes Leeloo to Father Vito Cornelius (Holm) and it emerges that Leeloo is infact the weapon that can be used to kill an evil force intent on killing the universe. To become the weapon though, Leeloo must find the four stones that were enclosed in a case with her during transport and after Korban’s former military colleagues rig a radio contest, they set out on a luxury cruise, the rumoured locations of the stones, but will Zorg get there first?

The Fifth Element is a strange film in many (good) ways and is certainly one of the more unique science fiction films that you’re likely to see. As I mention earlier it is everything that you could want in a movie as it has a vibrant environment, a decent storyline, comedy, action, adventure and romance. It could easily fit into so many genres that it is hard to pinpoint it down to a specific genre.

It is also unique in the sense that it is the only film that I can think of off of the top of my head where the protagonist and antagonist never actually meet. Oldman and Willis are never in the same room and don’t directly communicate in anyway. In the eighteen years since this film was released I don’t think I have seen another film that has a protagonist and antagonist that never meet.

Oldman in particular is exceptional in this film. His performance as Zorg is far different from anything you will have seen him as before, helped by the unusual appearance. I would classify the character of Zorg as a fun antagonist, he is one that you can actually enjoy watching and although the accent takes some getting used to, it’s hard to not relish Oldman’s performance as the charismatic sociopath.

Infact, my only negative in the entire film is the character of Ruby Rod, played by Chris Tucker. You know you when you get a character in a film and they are portrayed and written in such a way that you shudder every time they appear on screen, such as a Jar Jar Binks or any character portrayed by Dakota Fanning? Yeah, that’s what you get with this character. Fortunately he doesn’t appear until the second half of the film but if you haven’t seen this before then I would recommend bracing yourself.

Even though it is now 18 years old, The Fifth Element has aged exceptionally well and is one of the more graphically pleasing films of the 1990s, right from the futuristic look to Milla Jovovich’s bright orange hair.


The Flythe_fly___poster_remake_by_stevenandrew-d5hfzfh

Director : David Cronenberg

Cast : Jeff Goldblum, Geena Davis and John Getz

Dubbed one of the best ever remakes (and not the last one that will appear on this list), The Fly is an all time classic in the horror genre. If I had to rank all of these top 20 films in order of preference then The Fly would definitely be Top 5, possibly even number three.

Veronica (Davis) is attending an event run by Bartok Industries, hoping to find her next big story for her magazine. After almost giving up, she runs into Seth Brundle (Goldblum), a somewhat socially awkward, but rather brilliant scientist with some interesting ideas and theories. Goldblum reveals that Bartok let him do all of his work at home and he invites Veronica to view it. Veronica is intrigued enough to accept.

Once they arrive, Veronica is initially unimpressed until Brundle reveals three pods and that they are teleportation devices. Brundle proves this by teleporting various objects from one side of the room to another and Veronica agrees to cover his story. The only issue with Brundle’s technology is that is can’t transport living flesh. After several weeks of working on it, Brundle finally figures out what was missing and decides to send himself through as the test subject.

At first everything seems fine. Brundle and Veronica have started a sexual relationship and with a sudden burst of increased stamina, speed and strength, Brundle is convinced that the machine takes whatever is put in it and makes it better. However, after breaking a guy’s arm in an arm wrestling contest, Brundle goes home and notices physical changes, such as various patches of stiff hairs appearing on random locations on his body, acne breaking out, his finger nails coming off and his tooth coming out with practically no effort.

Brundle begins to research what has happened and only then discovers that a fly had flown into the pod at the same time and the two were now merged at the genetic level. Further research shows that the merging at the genetic level means that Brundle is slowly becoming a human/fly hybrid and only has a certain about of time left before it’s too late to do anything.

Jeff Goldblum gives a career defining, tour-de-force esque performance as Seth Brundle and it is almost criminal that he wasn’t nominated for the Best Actor academy award that year. The academy rarely gives the horror genre any nominations but to say that Jeff Goldblum wasn’t worth a nomination, at the very least, is purely farcical.

Goldblum’s portrayal as Brundle, especially the character’s desperation towards the end, is one of the best performances in any film that I have ever seen. The character effectively goes through the stages of denial and you’re with him all of the way, you feel everything that the character feels, with the exceptional of a leg bursting through your stomach, and Cronenberg tells the story brilliantly.

Let’s not make any bones about it though, this is a sad film and never more so than the final scene when <SPOILER> Brundlefly is fused with the door to a telepod, crawls out of the other telepod and holds the shotgun to his head, and Veronica’s despair leads you think he will have to live the rest of his life in this miserable existence, only for Veronica to then pull the trick and put him out of his misery. It is a truly emotional scene.

I don’t often do this but here is the final scene just so you can see the level of emotion involved on so many levels. It includes the final transformation into a human/fly hybrid, Veronica’s fears as he tries to force her to fuse with him and the subsequent ending that I just mentioned.

The amazing part about the whole thing is that it’s a relatively simple film in terms of it’s set it. Although it’s not the only set, the vast majority of the film takes part in the apartment and this gives a greater inside into the mental descent of the character. When you first join him his apartment is ridiculously tidy, but as time goes on and his body transforms even more, tidiness goes out of the window.

It doesn’t go overly complicated like most horror films do these days and in many ways that it is why it works. It never tries to jump-scare you and there are no genuine scares through the entire film. The horror of it all is the situation that Brundle finds himself in and the emotional struggle of dealing with it all.

If I was to recommend one horror film to you then it would be this,


The Lord of the Rings : The Fellowship of the Ring


Director : Peter Jackson

Cast : Elijah Wood, Sir Ian McKellan, Viggo Mortensen,  Sean Astin, Dominic Monaghan, Billy Boyd, Orlando Bloom, John Rhys-Davies, Sean Bean, Christopher Lee, Ian Holm, Cate Blanchett and Hugo Weaving

Despite being a nerd, I am not going to lie, I’d never heard of Lord of the Rings before it came out in 2001, and to put that in some sort of context, I was 17 at the time. I had briefly heard of Gandalf in an episode of Friends, but it wasn’t put in any context and therefore I never made the connection until 2001.

Now, 14 years since the release of the initial film, the cultural impact of this franchise has been immense. It is one of the most successful franchises of all time, even taking into account the poor prequel trilogy (fancy that, a prequel trilogy being poor).

Gandalf (McKellan) arrives in the Shire to celebrate the birthday of his beloved friend, Bilbo (Holm). Upon meeting him he realises that Bilbo, despite being well into his hundreds, still looks like a man in middle age and this takes him by surprise. After an enjoyable party, Bilbo intends to disappear without trace due to his wanderlust, but he is stopped by Gandalf as he realises that Bilbo has something that he shouldn’t. After successfully convincing Bilbo to part with his ring, Gandalf discovers it is the ring of the long dead Sauron, an ancient enemy to the free people of the world.

Gandalf enlists the help of Frodo (Wood) and Sam (Astin) to take the ring to the town of Bree. Family members Merry (Monaghan) and Pippin (Boyd) join in but they soon find themselves being pursued by clocked men and they are only saved from certain death at the last minute by Aragorn (Mortensen), a man that they met at Bree after Gandalf failed to show up. Gandalf had been imprisoned by his senior wizard, Saruman (Lee), who has now joined Sauron’s ranks as he looks to take over Middle Earth again. Gandalf eventually escapes and meets the group at Rivendell.

After lengthy discussions about the fate of the ring, it is decided by Elrond (Weaving) that it can no longer stay in Rivendell. The plan is to take it to the volcano where it was initially forged and destroy it once and for all. Frodo volunteers to take the ring, eventually joined by his original group of Sam, Merry, Pippin, Gandalf and Aragorn, as well as Boromir (Bean), Gimli (Rhys-Davies) and Legolas (Bloom). The group is quickly dubbed the Fellowship of the Ring and sets out to destroy the ring, but they are quickly taught how difficult it will be to destroy it as they encounter trolls, ancient demons and a giant squid in a lake.

Out of all six of the Lord of the Rings/Hobbit films, this is comfortably my favourite as it puts into perspective just how large this world is that the characters are in. It encompasses so many different settings and environments that you are constantly in amazement of the scale of it. For example, it starts off in the relatively tranquil Shire, then moves onto the dangerous wild, the luxurious Rivendell, a mountain, a mine and a large wooded area, amongst others.

The reason I have chosen this over the others is that I didn’t actually enjoy Two Towers that much and whilst it’s good, I feel that Fellowship of the Ring is just a more enjoyable experience because it sets up the world so well. I know that three hours doesn’t sound like a short amount of time at all, but when you take into account the scope of it and that they don’t even arrive in Rivendell until after the hour mark, it makes you realise that they did well to fit the entire first book into such a short film, rather than the Battle of the Five Armies, in which they managed to drag five pages out for 2 and a half hours (and it showed).

Arguably my favourite section of the film comes from what is effectively just two pages in the book and that is when the wraiths are relentlessly pursuing Frodo. The description is so vivid in the book and draws you in, and Peter Jackson captures that seemingly effortless and you genuinely feel that the wraiths are unstoppable, an image that is ruined later on in the franchise when they are scared off by Gandalf shining a light in their face.

Whilst not my favourite fantasy/adventure film, you can’t go wrong with a bit of Fellowship of the Ring.

The Prestige

the-prestige.14577Director : Christopher Nolan

Cast : Christian Bale, Hugh Jackman, Michael Caine, Andy Serkis, David Bowie, Rebecca Hall and Scarlett Johansson

I’m not going to lie, this is only in the list as a filler really. Whilst it is a film that I really like, I have mentioned previously that I only had 17 or 18 of my Top 20 and used the other two spots as filler, and this is one of them.

I have seen the Prestige on precisely three occassions but when I was going through my DVD collection, out of those that weren’t in the definites, this was probably the film I enjoyed the most, hence it’s appearance.

Alfred Borden (Bale) and Robert Angier (Jackman) are good friends that share a mutual respect in their chosen field of magic. Both are highly talented and regarded as the best magicians in the world, however, their friendship ends when a trick involving Angier’s wife goes wrong and she drowns, with Angier blaming Borden for what had happened as he had tied the knot that she couldn’t escape from.

When Borden finds love and has a child, it angers Angier and he purposefully rigs a trick of Borden’s to backfire, costing him two fingers. In response, Borden sabotages on of Angier’s tricks, causing harm to an audience member and damaging his reputation. When he goes to retaliate at a show, Angier is left astounded by Borden’s new trick, The Transported Man. Borden enters a door at one end of the stage and exits another door at the other end instantaneously. Angier refuses the theory of it being a double due even the smallest details being exact.

Angier takes the trick and turns it into his own via the help of a doppelganger (also Jackman), but he has trouble keeping control of him due to his alcoholism. Despite it being a success, Angier is driven to the point of madness as he can never receive the applause of the audience, and his obsession with finding out how Borden did it without a double. He soon meets Tesla (Bowie) and the two work together to create “The Real Transported Man”, but to what lengths is he willing to go to prove himself the better man to Borden?

Out of all of the films in my Top 20, it’s safe to say that The Prestige has more twists and turns than any of the others, it is remarkably complex and you really have to pay attention for it all to make sense. Even at the when, when you think you’ve seen the major twist, along comes another one and that is one of the reasons I really like this film. It’s not until the credits start rolling that you can be entirely sure of how it is actually going to end.

When the final twist does come around, you realise just how intricut and clever the twist is. I’m not going to reveal what the twist is here but it works so well and the most impressive thing is that has been in your face from the beginning. It’s not like the twists of Fight Club or the Sixth Sense where you have to be paying a ridiculous amount of attention throughout to have honestly figured it out before it’s revealed, you have virtually no chance of figuring it out.

Ultimately The Prestige is a film about obsession and how it can drive you to do outrageous things, and the way that Angier’s character develops in that sense is very intriguing.


The Thing (1982)

89137898Director : John Carpenter

Cast :Kurt Russell, Wilford Brimley, Donald Moffat and Keith David

Whilst The Fly regularly tops lists of the top 10 horror films of the 1980s, The Thing, which is also a remake, regularly finishes Number 2 and again, if I ranked all 20 of these films from 1 to 20, there is a very realistic chance that this would be Number 4.

This is the only film out of this list of 20 films that is actually older than I am, coming out two years before I was born, and despite it not really holding up that well, it still works remarkably well as a horror film because it gets the basics right. It doesn’t try the ridiculous scares today, doesn’t reveal who has been taken over by an alien before the rest of the characters find out and even the ending leaves you constantly guessing.

It appears to be a normal day at an American research station in Antartica until a dog approaches the site, pursued by a helicopter that is shooting at it. The group quickly kills the men in the helicopter and put the dog with it’s own dogs until they can figure out what happened.

The group, led by MacReady (Russell) decide to go to the local Norwegian camp to see what would provoke such a seemingly random attack on an animal. Once there they discover that the Norwegians had found alien life and they take the remains back to their own base.

At first everything seems fine but they soon find the original dog has transformed and is slowly killing the other dogs. Childs (David) kills the alien with a flamethrower and in the autopsy, Blair (Brimley) realises that the life form is able to create an exact copy of, and replace, a living creature perfectly. This is soon evident as the group soon finds Bennings trying to escape camp whilst partially transformed. At this point everyone in the group knows that any number of them could have been overtaken by the alien life form and paranoia sets in. How long can any of them survive before the life form catches up with them?

Even now, 33 years after the film was released, it is still not entirely clear at the end whether some characters were aliens or not. Whilst you could argue that this has been answered in the game, it has been confirmed as not being canon and that is a relief. The final scene, as in the very final scene, is precisely what a final scene should be in a horror film, leaving you doubting everything. You genuinely don’t know whether all the surviving characters are human, aliens or a mixture, and nor do the characters.

I mentioned it briefly in the introduction that it doesn’t reveal who is an alien until the rest of the characters find out and this works perfectly on so many levels. The film leads you down the path to believing that a character might be an alien before it turning out that they aren’t, and vice versa. In contrast to the prequel a few years ago, you don’t see outright that characters are human or alien until the film needs them to be. Whilst not an awful film, The Thing (prequel) loses this as it shows a few characters not necessarily getting infected, but in situations where infection would be virtually impossible, and in this sense it ruins it somewhat.

There is a genuine sense of isolation in this film due to not only the setting, but also the destruction of any means of getting off of the site. The characters are trapped there as going out into the ice wastelands of Antarctica with no method of communications or transport would effectively be suicide.

With an extremely effective, yet simplistic soundtrack, it’s hard not to get drawn into the atmosphere of the film.



Director : Wolfgang Peterson

Cast : Brad Pitt, Eric Bana, Orlando Bloom, Diane Kruger, Brian Cox, Sean Bean, Brendan Gleeson, Vincent Regan, Garrett Hedlund and Peter O’Toole

Troy is another one that I suspect a lot of you will look at and go “really?” I’ve mentioned a few times on this website that I love Greek mythology and if done right, they can be really epic. Whilst a lot of Greek mythology films these days are proving to be less than exciting, such as Wrath of the Titans, the sequel to 300 and several others, it is the ones that are faithful to their source material and don’t try and bombard you with CGI that catches you attention.

With a directors cut over well over 3 hours, this is the longest film by quite some way that features on this list, although I promise that my mini summary at the end won’t be.

After years of war, the Greek countries of Sparta and Troy have finally negotiated peace, so solidify that, princes Hector (Bana) and his brother, Paris (Bloom) have travelled to Sparta. Whilst Hector is everything that a prince should be, Paris falls in love with Helen (Kruger), a woman who just happens to be the wife of the Spartan King, Menelaus (Gleeson). When Menelaus realises that Helen has left with Paris, he pleads with his megalomaniac brother, Agamemnon (Cox) to go to war with him.

Agamemnon’s army sails to Troy and contained within is Achilles (Pitt), widely believed to be the greatest warrior in the world and a man obsessed with being remembered for all of eternity. Whilst he officially fights under the flag of Agamemnon, Achilles shares none of his desires and he is only there to make his name legend.

Outside of the gates of Troy, Paris accepts Menelaus’ challenge for a one on one fight, a fight that the latter dominates. Just as Menelaus is about to strike the final blow, Hector saves his brother and kills Menelaus, sending Agamemnon into a rage and he sends his armies hurtling towards the Trojans. The Trojans make exceptionally light work of Agamemnon’s men before Odysseus (Bean) convinces him to retreat. As time goes on it becomes evident that despite travelling in great numbers, Agamemnon’s army are no match for the Trojans, but an early morning attack results in an unexpected death that will change the course of the war.

Now again, I know that some of you will be puzzled as to why I actually like Troy and for me it is simple, it doesn’t hold back. Too many films, especially ones that only get a 15 rating in the UK, try and hold back, but this definitely doesn’t as it is full of blood spurting out all over the place, realistic tactics from that time period and the way that the soldiers treat the women towards the end are just a few examples of this.

With one of the best ensemble casts that you will see, with the majority having established careers long before this came along, it’s hard not to enjoy this because it is acted exceptionally well, especially Brad Pitt in the role of Achilles. Brad Pitt has featured several times on this list and he revels in the role of the great anti-hero, a man who will happily desecrate a temple and kill all of it’s priests, but then show mercy towards Priam, the ruler of Troy when he comes begging for his son.

Even though the run time for the directors cut is a huge 196 minutes, you never really feel like you’ve been sat there for that long as it is well paced and the battles, whilst not exactly long, keep you drawn into the action and it is hard to take your eyes away. It sticks to historical accuracy pretty well, even to the point where it’s annoying, in other words the woman screaming like a beached whale when there is a funeral.

Out of all of the Greek mythology films, if you’re looking for the most accurate then I would recommend this.



Willowdownload (1)

Director : Ron Howard

Cast : Warwick Davis, Val Kilmer, Joanne Whalley, Gavan O’Herlihy, Jean Marsh and Pat Roach

During my section on Fight Club in Part 1, I mentioned that my favourite movie was a contest between that and another film, and now we finally arrive at that film.

I can’t recall the first time I ever watched Willow. It is one of those films that has always been there and for a long time it was my undisputed number one, a country mile ahead of everything else, and to this day I still hold it in such esteem. Whilst I was never into George Lucas’ Star Wars, I couldn’t get enough of his and Ron Howard’s tale of hope, courage and defying the odds.

When Bavmorda (Marsh) hears that there is a prophecy of a baby being born that will end her reign of terror, she imprisions all the pregnant women in the land until the baby is born. When the baby is eventually born, a nursewife manages to smuggle it out of the dungeon and she lays it on a bed of weeds before sending it down river. When it eventually settles on a bank it is discovered by two children from a Nelwyn village.

The Nelwyns are a race of dwarves (for lack of better words) and the children are those of Willow (Davis), a pig farmer. Not knowing what to do with a daikini (humans) baby, Willow takes it to the local council and it is agreed that a group of them will take the baby to the nearest daikini crossroads and give it to the first person they see. Upon arriving they meet an imprisoned Madmartigan (Kilmer), a self-proclaimed greatest swordsman that ever lived.

Willow delays giving the baby to Madmaritgan as he doesn’t trust a man who is in prison but anyone else that passes isn’t interested. Willow gives the baby to Madmartigan but he loses her. Willow retrieves her after it emerges the kidnappers worked for Cherlindrea (Maria Holvoe). She tells Willow of the prophecy and that the baby, named Elora Danan, must be taken to Fin Raziel (Hayes), but it’s never that easy, is it?

I will admit that I don’t watch Willow often. infact I very rarely watch it. I think the last time I watched it from start to finish was about 3 years ago when the Blu Ray came out to celebrate the 25th anniversary. But for me you don’t have to watch your favourite films on a regular basis. If you can not watch them for ages and still love them then it show what a good film it is. For example, in my review of films in 2014, I lauded Nightcrawler, saying it was a perfect 10/10 and it even made it into the Top 20 list, but I’ve actually only ever watched it twice. For me Willow is one of those films that you can just sit back and truly enjoy, going on a great adventure.

It is one of the few films in the world that has pretty much everything in it. There’s romance between Madmartigan and Sorsha, there’s science fiction, adventure, action, horror (the Eborsisk and the army being turned into pigs, for example), there’s comedy and even a bit of mystery. There isn’t a single traditional genre that this film wouldn’t fit into and the best part is that for the most part, it hasn’t aged at all. This is partly down to the lack of CGI, which given that it was released in 1988 is not surprising. Near enough every effect, other than the odd one here and there, is practical, and therefore it looks a hell of a lot better.

Willow is a heartwarming story of a family man who just gets pulled into a world that he knew little about before and the bond he develops with everyone around him is wonderful to watch. Warwick Davis’ performance is charming and memorable. At the time he was only 18 years old and yet pulled off such a magical and believeable performance as a man with children who are at least four or five. He is joined by Val Kilmer. Kilmer is nearly perfect in this film as the antihero who becomes an outright hero towards the end, and his journey from a prisoner to what he ends up is absorbing.

I can’t speak highly enough of Willow and I would gladly watch it over any of Lucas’ other films.

Also, you may notice that I have included the trailer for the Blu Ray rather than the original and the reason is that it’s just a better trailer.